ECTS - Couple Dances
Couple Dances (ART287) Course Detail
Course Name | Course Code | Season | Lecture Hours | Application Hours | Lab Hours | Credit | ECTS |
---|---|---|---|---|---|---|---|
Couple Dances | ART287 | Fall and Spring | 3 | 0 | 0 | 3 | 4 |
Pre-requisite Course(s) |
---|
N/A |
Course Language | Turkish |
---|---|
Course Type | Elective Courses |
Course Level | Bachelor’s Degree (First Cycle) |
Mode of Delivery | Face To Face |
Learning and Teaching Strategies | Lecture, Discussion, Drill and Practice. |
Course Lecturer(s) |
|
Course Objectives | Sense of rhythm, music perception, correct posture, body coordination, movement aesthetics, movement with music and developing dance abilities. |
Course Learning Outcomes |
The students who succeeded in this course;
|
Course Content | Education of basic music and rhythm, body awareness, movement, coordination, gesture, expression and tendency for couple harmony. |
Weekly Subjects and Releated Preparation Studies
Week | Subjects | Preparation |
---|---|---|
1 | Purpose, scope, method of thecoursewill be outlined. The subjects for the full term, evaluation and grading system to be explained. The historical evolution of the dance styles in the curriculum, the music for the sestyles will be introduced, video samples from international competition and shows will be shown. Introduction to body awareness | |
2 | Rhythm – movement relation The understanding of rhythm identification and movement reference Understanding the Merengue music rhythm as movement reference Basic posture and coordination exercises Introduction to basic steps | |
3 | Musical, artistic and technical characteristics of Merengue music Rhythm, coordination and body awareness exercises Merengue Walks (Front, Back, Right, Stationary Merengue Basic Step Opening and Closing Positions Weight Shifts Hip movements (Remembering and reinforcing the first module, followed by adding the new module) Under Arm Turn Right – Pivot Turn (With hand variations) Under Arm Turn Left | |
4 | Merengue Walks (Front, Back, Right, Stationary Merengue Basic Step Opening and Closing Positions Weight Shifts Hip movements Under Arm Turn Right- Pivot Turn (With Hand Variations) Under Arm Turn Left (Remembering and reinforcing the first three modules, followed by the new module addition) Cross Body Lead Open - Closed Positions Checks Whip (Adios) Octopus (Cuban Break) Preparing a choreography with a combination of all modules. | |
5 | Musical, artistic and technical characteristics of Salsa music, Understanding the Salsa rhythm as movement reference, Salsa Walks Salsa Basic Step Cucaracha, Weight Shifts in Salsa, Hip Movements , Hand-Shoulder Movements in Salsa, Head Movements in Salsa | |
6 | Rhythm and music studies. Salsa Walks, Salsa Basic Step, Cucharacha. Repeating and reinforcing the first module, followed by addition of new modüle. | |
7 | Midterm | |
8 | Salsa Walks, Salsa Basic Step, Cucharacha. Repeating and reinforcing the first module, followed by addition of new modüle. Repeating and reinforcing the first module, followed by addition of new module. Preparing a choreography with combination of all modules. | |
9 | Reinforcing both choreographies prepared, emphasizing on technical and artistic improvement. | |
10 | Musical, artistic and technical characteristics of Bachata music. Understanding the Bachata rhythm as movement reference. Bachata Walks, Bachata Basic Steps Opening and Closing Positions. | |
11 | Bachata Walks, Bachata Basic Steps Opening and Closing Positions. Pepeating and reinforcing the first module, followed by addition of new module. | |
12 | Bachata Walks, Bachata Basic Steps Opening and Closing Positions. Repeating and reinforcing the first two modules, followed by addition of new modüle. Preparing a choreography with combination of all modules. | |
13 | Introduction of show components like costume, music, effects, timing. Reinforcing all three choreographies, technical and artistic improvement studies | |
14 | Midterm | |
15 | Reinforcing all three choreographies, technical and artistic improvement studies. Finalization of preparation of show components | |
16 | Final Exam |
Sources
Other Sources | 1. Laird, W. (1988). Technique of Latin Dancing. Brighton: International Dance Teachers Association Publishing. |
---|---|
2. Neglia, J. (1998). Salsa and Merengue. [3 disk DVD Video]. | |
Course Book | 3. Pozo, C. (2000). Cal Pozo's Learn to Dance in Minutes. [DVD Video]. |
4. Pozo, C. (2008). Cal Pozo's Partner Dancing 101: Party and Wedding Ready. [DVD Video]. | |
5. Türkiye Dans Sporları Federasyonu (2011). Antrenörlük Eğitim Kitapçığı. İstanbul. |
Evaluation System
Requirements | Number | Percentage of Grade |
---|---|---|
Attendance/Participation | 15 | 10 |
Laboratory | - | - |
Application | 12 | 20 |
Field Work | - | - |
Special Course Internship | - | - |
Quizzes/Studio Critics | - | - |
Homework Assignments | - | - |
Presentation | - | - |
Project | - | - |
Report | - | - |
Seminar | - | - |
Midterms Exams/Midterms Jury | 2 | 40 |
Final Exam/Final Jury | 1 | 30 |
Toplam | 30 | 100 |
Percentage of Semester Work | 70 |
---|---|
Percentage of Final Work | 30 |
Total | 100 |
Course Category
Core Courses | X |
---|---|
Major Area Courses | |
Supportive Courses | |
Media and Managment Skills Courses | |
Transferable Skill Courses |
The Relation Between Course Learning Competencies and Program Qualifications
# | Program Qualifications / Competencies | Level of Contribution | ||||
---|---|---|---|---|---|---|
1 | 2 | 3 | 4 | 5 | ||
1 | To be able to define a creative problem in the focus of design, to develop ideas for solution, to think critically and to synthesize the acquired knowledge to create design solutions | |||||
2 | To have the competence to present the comprehensive and in-depth knowledge gained in the design discipline effectively and confidently in academic platforms | |||||
3 | To have the ability to manage design projects effectively from the initial idea stage to the implementation | |||||
4 | To identify the required research in the field of design, to use the appropriate research methods and techniques, and to interpret and incorporate research results into the design process. | |||||
5 | To have the ability to put theoretical design knowledge into practice and to produce innovative solutions | |||||
6 | To be able to communicate verbally and in writing in international environments and to follow the design-oriented agenda | |||||
7 | To be able to take an active role in both individual and team-based projects and to be able to lead and manage these projects | |||||
8 | To be aware of the socio-cultural, socio-economic and environmental contexts and differences, and to consider the interests of people, society and the environment | |||||
9 | To have knowledge and understanding of sustainability principles and standards in the field of design | |||||
10 | To evaluate the knowledge and skills in the field of design with an approach that can produce critical, counter thesis and synthesis | |||||
11 | To have knowledge and understanding of the necessary intellectual, discursive, scientific, technological, technological, aesthetic, artistic, historical and cultural infrastructure for the field | |||||
12 | To be aware of the changing contexts and requirements in the field of design and to have the motivation and competence for lifelong learning | X | ||||
13 | To have knowledge and understanding of the legal framework and standards, corporate and ethical values related to the field | |||||
14 | To have the ability to express design ideas in two and three dimensions using written and visual presentation techniques and tools including information technologies and artificial intelligence applications | |||||
15 | To learn the materials, production technologies and software within the scope of Industrial Design and to use them in the design process |
ECTS/Workload Table
Activities | Number | Duration (Hours) | Total Workload |
---|---|---|---|
Course Hours (Including Exam Week: 16 x Total Hours) | 16 | 3 | 48 |
Laboratory | |||
Application | 12 | 2 | 24 |
Special Course Internship | |||
Field Work | |||
Study Hours Out of Class | 12 | 1 | 12 |
Presentation/Seminar Prepration | |||
Project | |||
Report | |||
Homework Assignments | |||
Quizzes/Studio Critics | |||
Prepration of Midterm Exams/Midterm Jury | 2 | 5 | 10 |
Prepration of Final Exams/Final Jury | 1 | 6 | 6 |
Total Workload | 100 |